Wednesday, May 01, 2024

99

This chap was in Verulam Park, St Albans, last summer. I can't resist a squidgy ice cream, but no flake for me, please.

I've got several photos of ice cream vans. My favourite one isn't a photo, but a memory: the van-owner of the Earl's Court ice cream van stretched out across the two front seats of his van in the dark, eating a Mr Whippy with a look of utter bliss on his face. It would have simply been too intrusive to ask him for a photo, although I did take one with his permission, of him leaning out of the hatch of the van later on.



Tuesday, April 30, 2024

Woman With Umbrella

This was at an Extinction Rebellion march last year some time- the same one with the gaggle of pelicans at the edge of St James's Park with their chicks (Ducklings? Peliclets? Piglets?).

I've been in Brixton today, conversing with my friend Rowen in the Black Farmer Café, all drifty music and peace and quiet. On the way there and back, Philip Oltermann's book The Stasi Poetry Circle has been my companion. Craftily, the book changes face as you read it, just as a member of the Stasi might. It's surprisingly inspirational as well as being intriguing. I've had it for ages on the book pile, but I've found secondhand crime novels too addictive to put down. Unfortunately (or maybe fortuitously), last night I finished both of them (one for home, one for away), and had to read a 'proper' book instead, and now I'm glad.

There is so much more information, or food for the imagination, in a book than on that-there-internet. Scrolling is like treading water: a sort of exercise, but it doesn't take you anywhere. Three cheers for movement, both physical and intellectual.

Now to chase the big pigeons off the bird feeder. They are brazen, and just look at me all innocent with their round, unemotional eyes as they grasp at the gutter. Look, guys, why not uproot the aerial garden that's taken root in the gutter mud? How the hell did that get there? There's a thriving row of greenery that could be usefully cleared by the clumsy birds and their destructive, clasping claws. But no, they have taken the easy route and insist on flappily hanging on to the frail plastic bird feeder that eventually falls to the ground where, triumphant, they guzzle the seeds meant for somebody else. 

Bah!

Oh yes, I almost forgot. This is yesterday's one-hour drawing! Doesn't look like her at all and the umbrella is too scribbly, but you sacrifice finish for speed.



Monday, April 29, 2024

A Weekend's Gigging

It's a day of rest today for me. I'm not nearly as tired as I thought I'd be and I had a look to see if I could get a ticket to The Girl With The Replaceable Head's gig tonight, but it's sold out so I'm staying in and drawing instead.

Well. the journey to Newcastle wasn't bad, and I decided to walk from central Toon to The Cumberland Arms and got completely lost in Byker. That was a good thing and a bad thing; bad thing to be lost, but that little area around the Ouseburn is completely charming. It reminded me of an adventure playground for adults; little bridges, reeds, trees, oddball shops and bars. I didn't even really mind the thousand steps up to the pub (not that many, you say? I'm not so sure!). David's drummer, Daren, was outside in the sunshine because TGWTRH were sound checking.

Later, upstairs, the promoter Michael Clunkie was setting up the merch stall. It was freezing up there (and in Newcastle in general), which was a bit of a shock. The fluffy jumper was back at the hotel waiting for Manchester. Silly me! I just always remembered the Cumby as being boiling hot. No matter, the frozen fingers gradually thawed and I think my set went down OK. Lindy liked it, anyway!

Next up was David and Daren, who blasted the wax out of a few people's ears with their complex rhythms and sometimes almost swamp-rock music. I'm fascinated by David's guitar style, which often harks right back to blues playing and knits his singing and Daren's drumming together seamlessly. Excellent fingerpicking there.

Phil Ogg, Simon Brough and a couple of their friends turned up and thankfully, Michael let them in (this gig was sold out too). I was delighted that my friend Carol Alevroyianni came along; Pauline and Rob from Penetration were there too of course, and I had a rapid catch-up with Pauline about writing songs. I hope to be interviewing her about her book at Rebellion in August. 

The room was packed when TGWTRH took to the stage. They were absolutely wonderful. Most of the first part of their set was new songs from their just-released album. All of the musicianship was excellent: Lindy's drumming was tight and polished, the bass was strong and melodic, Taff's guitar playing was fab and had that Ennio Morricone atmospheric feel a lot of the time, and Sylvia was note-perfect and honey-toned, sounding like a cross between Francoise Hardy and Dusty Springfield. 

Anyone going to their gig at The Waiting Room tonight, you are in for a treat! I have looked for their new album on Bandcamp but it's not there yet: I'm definitely adding that to the shopping list for when I get a proper record player (soon, I hope). They were so fresh-sounding and energised; it was completely inspiring to see them. 

Lovely to see Tony Crawley and his partner again too, and quite a few other people who live in this bubble of music!

The hotel was bloody freezing when I got back. There was what I thought was a dying orchid in my room, but it turned out to be a fabric one (that was still dying). There had been an air of hysteria (crying receptionist) and the bed was covered in a variety of cushions, so many of them. It was like a cushion zoo! I piled my coat on the bed and caught enough zeds to enable a brisk walk around the Toon. 

Oh, Newcastle's still a mad place! The homeless man reading a paperback with the title 'SERIAL KILLERS' on display in bright colours on its covers. And when I came out of a side entrance of the Eldon Centre and was admiring the Victorian statue heads inset into the wall, a man walked up from the street and said 'I'm a Geordie and I never even knew they were here, and I've been drunk all my life. Thank you!'.

Newcastle, I love you. You have my heart forever!

In Manchester, I hopped on the 192 bus to the Talleyrand. David and Daren were there already setting up. It's a smaller venue, and Saturday's promoter is a musician in a local band. The pub has a real community vibe, and I bumped into Ian Lowey and Suzy Prince just outside. They used to run a magazine called Nude together a few years ago, and now run a bookshop opposite the pub; Ian came to the gig later on. I was thrilled that Jamie McDermot came (who kickstarted this whole second post-wifehood music career of mine, has the fabulous band The Irrepressibles and gives the best hugs); so did Juliet (long time no see!), Paul Magrs and Jeremy Hoad (and we reminisced about the weird book event we met at with the flirty alpacas, and the miniature goats who trotted casually into the dressing room), Cazz Blase of course (thank you for the perceptive review), Derek Tyman (who put on the Beefheart musical at Bury Museum), and a young woman who said we'd met when I was busking in the street in London, and afterwards I'd sent her a postcard. It was a very friendly night. The sound guy, Tommy, was a guitarist and seemed intrigued by both mine and David's playing styles. Rather than that being a pressure, it was confidence-inspiring, and I think we both had a good playing night.

Raucous bus journey back into Manchester, mad hotel experience (bouncers on the door, boiling hot room with no windows), but that's all part of the adventure. Photos later on!

Photo by Nik Cockshott

Fight Back Against The Baddies

Always get your guitar out from under your bed, your crayons out from the drawer, the paints out from the back of the wardrobe, the pencil and paper you bought just in case! Live, create, document your feelings and your life. Always encourage other people: there is room here for all of us.
And it's the best way to Fight Back Against The Baddies!



Sunday, April 28, 2024

Newcastle, Manchester, Home

Friday's hotel was so cold I slept with my coat on the bed, and Saturday's was so hot and stuffy that I spent the night sweltering. I'm too tired today to write up what were two really nice gigs, but here is Cazz Blase's review of last night, which neatly sums it up. And I have to say that at both gigs I was knocked out to see so many people turn up from back in the day. And the 192 bus from Levenshulme to Piccadilly is a riot!

https://cazzblase.blogspot.com/2024/04/helen-mccookerybook-and-david-lance.html

Friday, April 26, 2024

Newcastle

Heading north today to the sold-out Girl With The Replaceable Head gig! I went to see Galen and Paul on Wednesday, they were fab. No time to write a review but here is some of their music from the night:



Thursday, April 25, 2024

Ghettotech Track By Sistah G


 If you listen all the way through you'll hear one of my jingles! Sistah G is from Utrecht and makes her own mixes to play at street parties. I'm honoured to feature in one of her tracks, especially alongside America Ferrera whose speech in the Barbie movie makes me cry every time I hear it.

The rest of the jingles are here: https://helenmccookerybook.bandcamp.com/album/feminist-jingles

Wednesday, April 24, 2024

Delivery Drivers

This is last night's one-hour documentary drawing, of some very cold delivery drivers-in-waiting in Stratford outside Tarbucks. I've removed the 'S' until they pay their taxes- that's not a spelling error.

This morning I recorded backing vocals for Toni Tubna's band the Grensons, under the pseudonym Weejun Startrite. I couldn't decide between that or Ravel Camper, but chose the former name. I've still got Hay Fever so the top notes are tough, but I've gained at least a note down there in the chest area. Gruff, gruff!

He edited yesterday's bass line (I didn't know the chords and hazarded the wrong guess in one part of the song) and added my vocals; now the track has gone to Robert. Let's see what he comes up with!

I've been getting my hands used to playing a solid body guitar for the weekend. There's going to be a lot of travel and I think the Gretsch is too bulky and fragile to take on numerous train journeys this weekend. Thankfully, they recognised the grip of the different fretboard but I'll rehearse again tomorrow just in case.

The Chefs album has gone to the pressing plant, I believe. Update as soon as I hear anything.



Tuesday, April 23, 2024

Something New: A Break From Editing

My inbox zinged this afternoon with a message from Toni Tubna: could Robert and me add bass and vocals to this tune by the new band The Grensons?

Well, I'm off on my travels to The Toon and Manchester this coming weekend, so I sat down straight away with my bass and played along with the song. In my hurry, I sent an mp3 with the metronome click still on it. Silly me! Primary School level mistake. It was nice to think about a bass line: I still haven't really thought whether to put bass on my new music or not. I'll decide next week.

Tomorrow, I'll have a shot at some backing vocals on the track. It's nice to have a new collaboration and stretch my brain cells.

Meanwhile, here's the drawing from last night's Marc Riley listen-in on BBCRadio 6. I can't remember where I took this photograph. Weirdly I think it's from Earl's Court rather that Whitby, which might make more sense as it's obviously from a hotel or bed and breakfast. Anyway, the dog seemed to think that its toy was extremely important to passers-by. 

It was! I took a picture and drew the scene. Nice and simple for a Monday night, drawn along to Kathryn Willians, The Lovely Eggs, Nadine Shah and Laura Marling. Perfect.



Sunday, April 21, 2024

Stephen Lane and The Fenestration at Hertford Museum

Well, I spared you the distress of the flat car battery, how annoyed I got with the AA and all that two weeks ago. The upshot of all this was that I was told to run my car every week, I saw this gig advertised on Facebook and running the car to a destination seemed like a great idea. We missed the first act, Afternoon, which was a shame, but saw Stephen Lane's quiet set. His style is appealingly simple: picked notes on a Spanish guitar with storytelling-in-song integrated into the music. I was also impressed by his matching music stand, lead and socks, presumably chosen to match the lyric about the colour turquoise. He even had a blue biro in his breast pocket. Now that's attention to detail!

The Fenestration have A TRUMPET!! What a perfect addition to a Sunday afternoon! With vintage guitar, vintage bass, a small Gretsch kit and Gina Davidson on vocals, they played a set of garage-influenced music. I particularly liked the song they ended their set with, or so it seemed until they found a song called Grass on a band member's mobile phone, had a brief listen, and then played it as an encore. I loved their informality- the backing vocals were the shouted instructions between the band, almost as though the songs were being reconstructed in front of our eyes: "Do that twice at the beginning, then four of them...". Such fun! I can't imagine a better way to spend a Sunday afternoon. There were lots of friendly people to chat with, including Looking Glass Alice who had DJ'd at the gig me and Robert did at The Betsey Trotwood last year. It was lovely to hear Gina singing, and I do so love these gigs with a Youth Club vibe. Yes I do.




The Jasmine Minks and McCookerybook and Rotifer at The Waiting Room, Stoke Newington

Remember The Jasmine Minks? They were signed by Alan McGee to Creation Records back in the pre-Oasis days, and I'd met Jim Shepherd at Glasgoes Pop last year and had a really nice chat with him. It was an honour to appear on the same bill last night- a gig to play and a gig to watch at the same time, my favourite sorta gig.

The sound engineer, Tamara, was incredible. They had seven people on stage and she took the time to get everything sounding perfect for them, and apparently this was also the first time some people could properly hear my guitar for our set. I think we won the crowd over with our exuberance as much as anything else; despite rehearsing there was the odd duff lyric and chord here and there. Basically, though, we enjoy playing these songs together so much we can latch into that groove and really do the stuff. It's a pity we play so rarely in this duo format, but we both have other things keeping us very busy so gigs like this are a treat.

The Jasmine Minks have a lot of singers (they were augmented last night by a female singer with a gorgeous voice). It's unusual to hear so many male voices singing together and swopping lead vocals at a gig. I suppose Jim is the main guy and he was in fine voice last night. I fully expected to see yet more personnel appearing as the night drew on... seven... eight... nine; but they remained a seven-piece, telling anecdotes between the songs (nicking the demo tape they made for London Records was one of them), and delivering a hearty encore to the extremely enthusiastic crowd. Here's a photograph of Tamara, one of the essential people who rarely get a shout-out, checking the sound.

Excellent evening, big thanks to Caryne and Dave for putting it on, and lovely to see Ruth and Dave out and about! Oh yes- Stewart Lee was there, too.



Video Of McCookerybook and Rotifer From Last Night's Gig

 


Saturday, April 20, 2024